Home / Blog / Origins
Origins

Kashan, Tabriz and Mashhad: A Field Guide to City Weaves

By Storied Rugs6 min read
1600 × 900
Featured image · the post’s main image

Spend a little time looking at hand-knotted rugs and you will notice something. Some feel more formal than others. The drawing is crisper, the knots are tighter, and the balance looks almost like architecture. These are Persian city rugs. They are woven in town workshops, not in village homes or tribal tents. Three names come up again and again: Kashan, Tabriz and Mashhad. This is a short field guide to those three city weaves, what makes each one special, and how to spot it.

At Storied Rugs we sell only one-of-a-kind vintage and antique pieces. No two rugs from us are ever the same. But the traditions behind them run deep. Once you understand those traditions, every rug becomes easier to read and easier to love.

What makes a city rug a city rug?

Before we meet the three cities, it helps to know how town workshops differ from village and tribal weaving.

Village and tribal rugs are often woven from memory, or simply by feel. The base, called the foundation, is usually wool. The patterns are bold and geometric, with a lovely, honest wobble. These are personal, made-up-as-you-go pieces.

City rugs are different. They are workshop pieces. The weaver follows a design drawn in advance by a designer, called a cartoon. That planning shows in the finished rug. You see fine, tight knotting and flowing curvilinear patterns, lines that curve and scroll instead of stepping in straight blocks. The foundation is usually cotton, which keeps the rug flat and steady so it holds its shape for decades.

The result is polish. A tribal rug wins you over with its free spirit. A city rug wins you over with control and fine detail. Neither is better. They simply do different jobs.

1600 × 900
the cotton foundation and knot density seen from the reverse of a city rug

Kashan: refinement and the classic medallion

Kashan sits in central Persia. It has one of the oldest and most admired weaving histories in the country. Picture a “classic” Persian rug in your mind. There is a good chance you are picturing something in the Kashan style.

The look. The mark of a Kashan is a refined medallion, a single ornate shape in the middle of the rug. It floats on a field, the main open area, filled with flowing floral vines. Matching corner pieces and a tidy border, the frame around the edge, complete it. Some Kashans use an all-over floral design with no central medallion. Either way, the drawing is graceful and precise.

The colors. The palette, the mix of colors, is where many people first fall for a Kashan. Look for classic madder reds, warm and slightly earthy rather than bright. They sit against deep indigo blues and soft ivory. The wool is often silky, so the rug has a gentle sheen that shifts as you walk past.

1000 × 1200
the central medallion and its surrounding floral field on a Kashan

The feel. A Kashan feels timeless and elegant. It is a natural choice for a formal room. Browse our Kashan rugs to get your eye in. And because that madder red is so typical, our red rugs collection is a good place to look too.

Tabriz: the great all-rounder of the north-west

Kashan has one signature look. Tabriz has range. This north-western city has long been one of Persia’s busiest and most commercial weaving centers. Its workshops turn their hand to almost anything.

The look. From Tabriz you might see a tight Herati all-over pattern, a grand central medallion, a garden design, or even a pictorial rug, one that shows a scene or landscape. Few weaving cities cover so much ground.

The colors. The palette is just as wide. It runs from soft, muted tones to rich, deep schemes. There is no single Tabriz color, which is part of the appeal.

The feel. What ties Tabriz pieces together is build quality. Many have a high knot density, more knots packed into each patch of rug, and that fineness allows crisp, detailed drawing. They are also known for tough, hard-wearing foundations. A good Tabriz is made to be used.

1400 × 900
a border corner on a Tabriz, showing the fineness of the drawn detail

Because the range is so wide, Tabriz is often the answer when you have a firm brief, a set size, a set color, a set mood, and want a formal rug to match. Look through our Tabriz rugs to see how much one city can do.

Mashhad: soft reds and generous scale

Mashhad lies in the north-east. It is the great city of Khorasan and a long-standing weaving center. Once you have seen a few of its rugs, they become easy to spot.

The look. Mashhad workshops are known for large rugs, made to fill a big room. The designs are curvilinear, built around a graceful central medallion on a field packed with flowers. This is the full, confident city style.

The colors. The color gives it away. Mashhad is closely linked with soft, warm reds and gentle madder tones. Think of a red that reads as mellow and rosy, not sharp.

The feel. Put the soft red together with the size, and you get a calm, wrapping presence. A Mashhad settles a room rather than shouting in it.

1600 × 900
the soft madder-red field of a large Mashhad, shot to show its scale

If you have a large space to anchor and want warmth over drama, a Mashhad is well worth a look. Our Mashhad rugs collection is the place to start.

Telling them apart, and choosing one

Once you know what to look for, the three are easy to separate. Here is a quick recap:

  • Kashan, central Persia; a refined medallion or all-over floral design; classic madder red with deep indigo; silky, sheening wool.
  • Tabriz, north-west; hugely versatile, from Herati and medallion to pictorial; often high knot density and tough build; a broad palette.
  • Mashhad, north-east; large curvilinear medallions on floral fields; soft, mellow reds.

When you choose one for a room, start with the space, not the name. For a formal sitting or dining room where you want quiet elegance, a Kashan rarely puts a foot wrong. When you have an exact size or color in mind, the breadth of Tabriz gives you the most to choose from. And for a large, lived-in room that you want to feel warm and grounded, the generous scale and soft reds of a Mashhad are hard to beat.

Remember, too, that every piece we carry is vintage or antique and truly one of a kind. Two Kashans of the same age can feel quite different in person. So let the individual rug, its color in your light, its size in your room, have the final say.

If this has whetted your appetite, take your time with our wider Persian rugs collection, or simply browse everything we have and see which weave stops you in your tracks. And if you would like a second opinion on whether a rug suits your room, we are always happy to talk it through.